April: Now More the May-rier!

cover of issue 128 with photo of person in pink dress holding upside-down doll's head planter of spring flowers. Head and legs of person holding planter are cropped out of frame.

Our one-hundred-twenty-eighth issue is in full bloom! Fall might be the spooky season, but spring is the season of jump scares. You’re ambling down the sidewalk on an overcast day, enjoying the room-temperature air and chanting the four items you plan to purchase at the co-op under your breath so you won’t forget them. Then, right between miso paste and vegan jerky, the smell of lilacs launches itself into your face like a purple panther. Reeling from the concussive blast of fragrance, you take a few stumbling steps toward the street, plunging into a puddle of violets where pollen-drunk bees bump chummily into your shins. Instead of Bernard Herrmann’s shrieking strings, you hear a merry quartet of robins in a nearby dogwood. “Gotcha again, you fuckin’ dunce!” they seem to chirp. 

It’s this element of surprise—the sudden appearance of an unexpected image that delights the senses—that ties the stories and poems of this issue together. I won’t spoil any of them here; the joy is in the discovery. (Pro tip: read these out loud if you can; this issue has exceptional sound and mouth feel.) Also, shout-out to the gorgeous cover art by Sasha Moroz!

Janu-weary but doing our best

person standing in the glow of a streetlamp at night with falling snow

This can be a tough time of year for many of us; the icy winds slap our chapped faces while the trees dance their sad skeleton dances in the thin winter sun. And that’s not even getting
into the particular problems of our current era, which are distressing and multitudinous.

But against this bleak backdrop, the story and poems of issue 127 gleam like a handful of polished stones, each distinct in shape and color yet creating a pleasing effect together. From the imaginations of Laura Daniels, Corbin Hirschhorn, Jessica Fordham Kidd, Tony Kitt, and Kenton K. Yee, visions of beauty, danger, and magic pulse and swirl in soothing currents, offering a plethora of small treasures to cache in the mind’s secret drawers. Plus quietly lovely cover art from Natalia Lavrinenko.

Prepare to engage all your senses, because the imagery power is set to stun. Shovel it on the website or defrost the .pdf.

Issue 126 comes swirling across the moors

cover of issue 126: sketch of clenched fist squeezing a red rose hard enough to draw blood, which drips into a puddle at the bottom against a dark background

Autumn has always been our season, our world, our whole fuckin’ vibe. Fifteen years ago, in October of 2009, Eirik and Monica released the first issue of Jersey Devil Press to rampage its way through readers’ imaginations. Since then we have expanded to include poetry as well as speculative fiction, changed captains a few times, published work from hundreds of talented writers, and experienced a devastating loss that I discussed in the note for the previous issue and am still grappling with as I type this one. Still—more than ever, maybe—art matters, and we are tail-thumpingly glad to have a new batch of stories and poems to share in this anniversary issue

Short form fans will dig Randy Brooks’ haiku and Sydney Wagner’s “Autopsy of a Relationship,” while Nikki Allen’s “Catch” and Simon MacCulloch’s “Death of Light” serve up some fresh rhymes. If you’re of a narrative disposition, slink through “Dillon’s Door” with Charlie Kieft and live the “Cheese Life” with Cass Noah. Admire the beauty and blood of the cover art by Bianca Blauth, “Hand Rose.”

Scrump it all on the website or pilfer the .pdf.

Carry on, fellow creatures. The moon hasn’t answered yet, but that won’t stop us from howling.